Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together -- but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure. Against the advice of her friends, she begins digging into her husband's belongings, yearning for answers. What she finds are secrets both strange and disturbing -- a mystery she's determined to unravel.

Billy Wilder’s Ace in the Hole is one of the most scathing indictments of American culture ever produced by a Hollywood filmmaker. Kirk Douglas gives the fiercest performance of his career as Chuck Tatum, an amoral newspaper reporter who washes up in dead-end Albuquerque, happens upon the scoop of a lifetime, and will do anything to keep getting the lurid headlines. Wilder’s follow-up to Sunset Boulevard is an even darker vision, a no-holds-barred exposé of the American media’s appetite for sensation that has gotten only more relevant with time

After the movie stick around for a short presentation on the film and a discussion with film historian and educator Paul Laverack (via Zoom)!!

When Earth falls under attack from invincible aliens, no military in the world is able to beat them. Major William Cage (Tom Cruise), an officer who has never seen combat, is assigned to a suicide mission. Killed within moments, Cage finds himself thrown into a time loop, in which he relives the same brutal fight -- and his death -- over and over again. However, Cage's fighting skills improve with each encore, bringing him and a comrade (Emily Blunt) ever closer to defeating the aliens.

Things get tough for Carol (Joan Blondell) and her showgirl pals (Ruby Keeler, Aline MacMahon) during the Great Depression. Wealthy songwriter Brad (Dick Powell) saves the day by funding a new Depression-themed musical for the girls to star in, but when his stuffy high-society brother finds out and threatens to disown Brad, Carol and her gold-digging friends scheme to keep the show going.

After the movie stick around for a short presentation on the film and a discussion with film historian and educator Paul Laverack (via Zoom)!!